In the gaming, snow covered world of Club Penguin, the residents are all penguins. These penguins live like real people, they have parties, they earn money, and they live in igloos and decorate their homes too. Since there are such similarities to real life, in the Club Penguin world there are celebrities too who are living amongst them.
These "famous penguins" can not be visited by all the other resident penguins. Only the moderators know where they stay. One famous group of penguins is "The Team". They are the original or the first moderators. They are Billybob, Happy77, Gizmo, Rsnail and Screenhog.
Billybob now writes the blog and also lets penguins know about the upcoming events. Happy77's profile is used as a model to other penguins to show what a moderators profile looks like. Gizmo's job includes taking care of all the parties. The servers and the technical side is looked after by Rsnail. The job of Screenhog is to design other penguins.
Another famous penguin in this world is Rockhopper. He is a pirate and visits this land once in 2 months aboard his ship called The Migrator. When he comes penguins are allowed to board his ship and buy some of the strange contents including a diary of Rockhopper's adventures. This penguin is a lot bigger than the normal penguins and is also dressed like pirates. Pirate clothes are unavailable to others.
One of the most famous set or group of penguins is the Band. The Band, a group of four musicians, attests all the big parties and events that take place at Club Penguin. The band has evolved from what it was in the beginning when the Club was a new concept. There is a drummer, an acoustic guitarist, a bass guitarist and a pianist.
You may be wondering when exactly did rock/pop music begin? There’s no clear answer to this. Some might say that it started with the advent of rock n roll with Bill Haley and the Comets in 1952. Others would say Elvis, although not the first but surely the original truly global superstar. Yet none of these were really the first. Rock n roll has its roots in blues which has its roots back to the 19th century with black immigrants trying to escape from their slave driven lives. Fast forward to the early 20th. century and some of the earliest recordings on 78 began to appear. Players from this time such as Bobby Jo and Robert Johnson helped to form the structure of early blues
Robert Johnson had recorded only thirty songs during his short life as he was prevented from achieving true fame while alive by being poisoned by a jealous husband. He died shortly before he was being sought to appear at the ‘Spirituals To Swing’ concert in 1938 by record producer John Hammond. As a result, his reputation only took off after Hammond released an album of his recordings for Columbia in the early sixties. Later blues exponents like Muddy Waters and Eric Clapton admitted borrowing heavily from these early stalwarts.
In the 50’s, artists took the basic blues style and used electric guitars, drums and double bass for the first time creating early rock n roll, later known as rockabilly. Stalwarts like Chuck Berry, Buddy Hollie and Jerry Lee Lewis were the most famous protagonists here. Later Elvis in the US and to a lesser extent, Cliff Richard (later leading the Shadows) in the UK brought rock n roll to a truly worldwide audience. This paved the way for the 60’s beat era which could be considered the true beginning of pop music as we know it today, certainly as far as bands were concerned.
In the 50’s and early 60’s, it was mostly lead solo artists with just a backing band. With the advent of the beat era, bands dominated with The Beatles, The Rolling Stones and the Beach Boys from the US taking the world by storm. Even so, The Beatles later admitted being heavily influenced by those earlier rock n roll and blues artists. They mostly played rock n roll and blues covers at their pre-fame Hamburg concerts. in the early 60’s. The Beatles however, were the first band to successfully blend classical music textures with rock n roll to form perfectly crafted pop songs. While bands like The Rolling Stones continued with the mainly rock n roll theme,
The Beatles took their finely crafted style further in the seminal album ‘Sgt. Pepper’s Lonely Hearts Club Band’ in 1967 by utilizing new studio techniques and instruments never used before. They used a new instrument called ‘the Melotron’ This was basically a keyboard which played looped tape recordings. of real instruments. The most famous sound from this was probably the flute used on the ‘Strawberry Fields’ single recorded at the same time but later dropped from the album. The Melotron though, was cumbersome and unreliable and had a rather grainy sound. Even so It was regarded as the forerunner of the electronic sampler, invented nearly 20 years later. Infinitely more flexible than the Melotron, the sampler helped build the framework for modern pop,dance and R&B music.
The Beatles ‘Sgt.. Pepper’ album with its groundbreaking recording techniques was preceded the year before by their ‘Revolver’ album. These LP’s helped popularize a new wave in music known as psychedelic or acid rock, named after the mind bending effects of LSD drugs. Pink Floyd also recorded their debut album ‘Piper at the Gates of Dawn’ in the studio next door at the same time that The Beatles recorded Sgt. Pepper. It was reported that Pink Floyd were a direct influence to The Beatles as a result. This new style incorporated new guitar effects like Fuzz, flanger anger and delays. These were used along side the earliest portable synthesizers such as the therein and mini Moog. invented by Bob Moog.
In America, the Beach boys responded with the ‘Pet sounds’ LP in 1966 and later that year released the first big psychedelic hit ‘Good Vibrations’. About this time, the band ‘Jefferson Airplane’ recorded their debut album which was also the first LP to come out of the new San Franciscan music scene. This got the record industry’s attention and they had two of the earliest psychedelic hits ‘White Rabbit’ and ‘Somebody to Love’ in 1967.
Meanwhile in Los Angeles, Jim Morrison joined with members of The Psychedelic Rangers and Rick and the Ravens to form ‘The Doors’ They were initially turned down by Columbia but were signed to Electra Records and released their self titled debut LP in 1967. The album included the 7 minute long hit single ‘Light my Fire’ one of the first to break the typical three minute pop and rock song barrier.
Back in Britain, radio broadcasting was very limited because the BBC were the only organization allowed to broadcast on the mainland and had just two pop music shows The Saturday club and Easy Beat Radio Luxembourg partially filled the gap but it was left to pirate radio, broadcast from ships out at sea with DJ John Peel’ which enabled the new style to reach a mass audience, often eclipsing the BBC in popularity. The BBC responded in the end with the advent of Radio 1 in June 1967. With the existing labor government making pirate radio illegal in Britain several months later, Du’s like John Peel rather than risk arrest joined radio 1 which had a much more informal and relaxed style as opposed to the staid and conservative approach favored by the BBC until then. This perfectly suited psychedelic pop and rock and John Peel championed this in his late night shows. playing new genres of music and introducing new and unsigned bands in the Peel sessions. He did this for nearly four decades until his death in 2004.
By the end of the 60’s after the break up of the beatles, mainstream music was about to change direction yet again both in style and fashion.
Georges Braque was an eminent twentieth century French painter and sculptor, who was also the co-founder of ‘Cubism.’ Born on May 13, 1882, in Argenteuil-sur-Seine, from 1897 to 1899, he learned painting at the Ecole des Beaux-Arts at Le Havre, the city where he grew up. He commenced his artistic journey, experimenting in styles, such as ‘Impressionism’ and ‘Fauvism,’ before he developed ‘Cubism’ along with Pablo Picasso in 1908. Cezanne’s artistry of ‘multiple perspectives,’ exhibited at Salon d’Automne, in 1907, inspired the duo towards ‘Cubism.’ French art critic Louis Vauxcelles saw a painting by Braque in 1908 and called it ‘Cubism,’ or ‘bizarre cubiques.’ He perceived the artwork as ‘full of little cubes.’ This led to the christening of the Picasso’s and Georges’ invention as ‘Cubism,’ which the duo was not initially excited about. Braque’s magnum opus “Violin and Candlestick,” painted in spring 1910, exemplifies the vibrant persona of the ‘Cubist’ style of painting.
Mostly monochromatic in style and themed on ‘Still Life,’ Braque’s’ ‘Cubist’ works mostly stunned the art community. This 24″ x 19 3/4″ (61cm x 50cm), oil on canvass, “Violin and Candlestick” is a result of the amalgamated slices of music and violin sheets rearranged at atypical angles to create a single intertwined image, with the shifting surface of forms, planes, arcs, and colors. The painting whilst illustrating three-dimensional view of the subjects on a flat canvas, shuns the traditional ‘Renaissance’ perspective. This actually is ‘Cubism,’ which focuses on representing the subjects, as viewed from several angles.
“Violin and Candlestick” was an outcome of Georges’ obsession for form and stability, fuelled with a desire to create an illusion in a viewer’s mind to move around freely within the painting. To achieve this, the painter conglomerated the subjects at the centre of a grid like armature & covered the boundaries of the black-outlined objects using earth-toned colors. Thereby, he managed to transform the volumes of static to hold compound surfaces on a flat plane, enabling onlookers to appreciate more of form compared to any other angle. Recognizing and understanding the effects of light astutely to elicit the appropriate emotions and effects of the subjects also served as a vital parameter for Braque’s “Violin and Candlestick.” He expressed this art of fragmentation as “a technique for getting closer to the object.”
Georges Braque breathed his last on August 31, 1963, in Paris. His masterpiece, “Violin and Candlestick” is exhibited at the San Francisco Museum of Modern Art.
"Three apples fell from heaven, one for the teller, one for the listener and one for the one who heads the tale." Armenian Proverb
Everyone loves a good story, whether from a book, a spoken tale, or a movie. However, most people, children and adult alike, would say, "I can not tell stories." The truth is, everyone can tell a story, they just need to know how. Telling stories is reliably easy because you do not repeat the story word-for-word. When memorizing a poem or scripture each word must be correct. A story requires two abilities: memory and imagination. Both are skills children have in abundance. Why not hatred that talent to teach your children writing?
If you want to see your children's writing soar, teach them to be storytellers. Like reading or cooking or working cooperatively with others, storytelling is a life skill. When your child gets the knack of storytelling in everyday circumstances he will have a lasting nationality and write more expressively, be attuned to the beauty of language, give a listening ear to others telling a good story, recognize good writing, and think more imaginatively.
Using storytelling in your homeschool brings a great deal more than the enjoyment of stories. You are giving your children a foundation in orality . Just as literacy is the ability to read and write, orality is the ability to speak and listen. All four modes-reading, writing, speaking, and listening-make up human communication. Orality supports literacy. Storytelling is the highest form of orality.
Typically to help a child read better and write better we make him do more of both, usually with some resistance. The most effective way to improve literacy is to increase oral language experiences, like narration, recitation, play-acting, to name a few. Storytelling is the best form of oral language experience because the teller internalizes a set of relationships and structures that they can then map back onto experience. Think of a fairy tale you love. What does it show you? The value of being kind, the lowest often makes it to the top, the need for merit and honesty, are just a few.
Orality takes the form of stories, rhymes, sayings, conversation, and songs. Using oral language experiences with preschool children is easy, since they are preliterate and in love with words. It is sheer fun to giggle with a toddler and say a nonsense rhyme.
Once children master reading, however, the focus tends to be on the printed word and sadly, speaking and listening beginning to lag behind. To achieve their best in reading and writing, elementary students must continue to develop their oral skills of speaking and listening.
How can I bring a great orality to my homeschool?
Here are a few simple, easy to do activities that require little or no preparation:
1. Read aloud to your children every day. Pick stories and books that have a strong plot and rich use of language. Avoid adaptations of well-known stories or books.
2. Use narration every day. Narration is the art of telling back in your own words a passage that is read.
3. Do simple nursery rhymes and finger-plays with your children. If you have older children, teach them so they can do finger-plays with the younger ones. You can find books of finger-plays and nursery rhymes at your library. A few well-know rhymes are: "Jack and Jill", "Hey, Diddle Diddle, the Cat and Fiddle", "Little Miss Muffet", and "The Itsy Bitsy Spider"
4. Make storytelling a special time during the day or week. Use folktale collections or picture books that are retellings of folktales and ask your elementary age children to learn to tell them.
Tell stories about your own life. All children love to hear about when their parents were little.
6. Tell simple, well-known stories such as "Goldilocks and the Three Bears," "Ten Little Monkeys." See if your children can tell all or part of the story themselves.
What does all this have to do with writing?
If you want to help children improve their writing you have them write? Right? Wrong. When children are asked to do writing, they often struggle because they are asked to perform two very different developmental tasks-write and think spontaneously. One task at a time is usually no problem; but, both at once require a certain amount of maturity. Begin from a different point — try having your child tell rather than write the sentence, paragraph or story.
Here's the process: compose orally, revise orally, then-and only then-write it down. At another time ask your child to check for accuracy in grammar and punctuation but certainly not when they are composing (orally or in writing). That's it. It sounds simple and it is. However, to see results requires consistency and a light touch. Your child needs to become accustomed to thinking out loud. Be patient and praise all efforts. Be sure to offer guidelines at the start but do not prompt with answers. There are no wrong answers with this approach, only good, better and best. Let your child sometimes play turn-about and have you try the process.
If you're ready to give the process a try, set aside the writing workbooks for a time (you can always come back to them later). The results will amaze you.
To Learn More
To learn more about how to tell stories, check your library for the following books:
The Storyteller's Start-Up Book: Finding, Learning, Performing, and Using Folktales: Including Twelve Tellable Tales, Margaret Read MacDonald
This is an easy-to-understand handbook that gets you started telling.
The Way of the Storyteller, Ruth Sawyer
This is a classic of storytelling literature and one of my favorites that I go to for inspiration
Florida is known world-wide as a fun vacationland. For those of you who have not had the pleasure of visiting the Orlando / Kissimmee area, here's whats waiting for you.
Walt Disney World, which includes the Magic Kingdom, Epcot, Animal Kingdom, and the Disney-MGM Studios. The Magic Kingdom is the king of theme parks, divided into seven distinct areas, and is known as 'The Happiest Place on Earth' by every kid from three to 103. It draws more visitors than any other theme park in the world. Epcot (Experimental Prototype Community of Tomorrow) is like taking a vacation to the best sights in 11 different countries, as well as being able to participate in interactive presentations and view the latest in cutting-edge technology. Epcot is divided into two parks – Future World, which focuses on science andventions, and technology from both the past and the future, and The World Showcase, which features a variety of countries celebrating their culture, history and cuisine. The Animal Kingdom is a vast assortment of more than 1,000 animals in a beautiful 500-acre park that transports visitors to exotic locales and leaves them with a renewed respect for our Earth and its habitants.
Disney-MGM Studios is a creative theme park devoted to bringing the magic of movies, television, radio and Broadway plays to life in an educational and fun environment.
Universal Studios Florida is creative, highly energetic, action park. This is a place where you can totally immerse yourself in the land of movies and television. You can go on exciting thrill rides or go behind the scenes or jump right into the action of some of your favorite films. The City Walk area is Universal's shopping and dining complex – with everything from rock concerts and jazz to gourmet dining or causal fare.
Islands of Adventure is a high-tech theme park that is especially popular with families with small children and teens. Do battle with comic book heroes defy gravity, ride the white water rapids, and experience the world's first inverted, dual roller coaster. Islands of Adventure is five adventure parks in one, from Marvel Superhero Island to Toon Lagoon, there is a different ride for young and old – something for just about everyone to enjoy.
SeaWorld Orlando is a marine-world adventure park with amazing animal encounters, world-class shows and thrilling rides. Guests can explore the mysteries of the sea and interact with marine life, or experience new state-of-the-art water rides with special effects. Nine restaurants are available at SeaWorld, ranging from full-service to cafeteria-style. Rides and Attractions include shows and animal attractions, thrill rides, and other special attractions like the kids' play area with a splashy water maze and slippery slides. The Shamu Adventure, hosted by Jack Hanna, is one of the most famous animal attractions ever presented. It has trains and killer whales performing astounding feats with dazzling theatrical effects to a rock 'n' roll beat. The Odyssea is a 30-minute show that transports guests to the depths of the ocean. Clyde and Seamore Take Pirate Island is SeaWorld's comical tale of pirate adventures, along with help from Clyde the sea lion. Blue Horizons is a show with acrobatic dolphins. Other wonderful animal encounters include Penguin Encounter, Tropical Rain Forest, Dolphin Cove, Turtle Point and Manatee Rescue. SeaWorld is also home to the fastest, longest, tallest and only floorless roller coaster in the region. Journey to Atlantis combines a roller coaster / water ride with dazzling special effects. Wild Arctic is a motion-based, jet helicopter flight to a remote research station on the Arctic where you come face to face with real beluga whales, walruses and two polar bears named Klondike and Snow.
The Holy Land Experience takes you back 3000 years to the land of the Bible. It is an educational, inspirational, theatrical and historical presentation. It authentically recreates the city of Jerusalem and its religious importance between the years 1450 BC and AD 66 with sights, sounds and tastes. There are several indoor and outdoor exhibits and activities recreating the time when Jesus lived. Attractions include the Scriptorium museum, built in fourth-century Byzantine architectural style, houses the finest private collection of authentic biblical artifacts and antiquities in the world. Inside are ancient cuneiform, scrolls, manuscripts and Bibles – many of which are extremely rare or the only known copies in existence. Each treasured piece is exhibited in the historical and geological environment out of which it came. Exhibits include an exact replica of the Garden Tomb where the body of Jesus Christ was buried. A massive archway is the grand entrance to the Plaza of Nations, which houses the imposing Temple of the Great King, a place held in the highest reverence among the Jewish people. There are also a lot of fun activities for children at the Oasis Outpost, including a 25-foot climbing wall or you can dig for artifacts in a sandy desert.
There are a lot of wonderful places to see in Florida, so make sure Orlando is part of your itinerary.
In traditional intelligence theories when one is asked the question “What makes a person intelligent?” the most common responses will often note a person’s ability to solve problems, utilize logic, and think critically. These typical traits of intelligence are sometimes grouped together under the heading “raw intelligence”. A person’s intelligence, traditionally speaking, is contained in their intellect. In other words, how we each understand, evaluate or respond to external stimuli, regardless as to whether it is a mathematical problem or anticipation of an opponent’s next move in a game, is our collective intelligence. Our intelligence therefore, is our individual, collective ability to act or react in a continually changing environment.
The principal problem in traditional intelligence theories is that they promote “fractured learning”. Many educational reformers have clearly stated that “taking tests merely shows that a student is skilled at taking tests”. At best, traditional tests focus on only about one tenth of an individual’s intellect. Note that Albert Einstein and Thomas Edison, two of history’s most famous examples of brilliant minds, were terrible at taking traditional tests, therefore terrible at “school” in general. Multiple Intelligences theory then, demonstrates that the ability to take traditional tests is almost entirely in the realm of the Logical – Mathematical
intelligence. This intelligence will be detailed later along with the Interpersonal intelligence, which imparts in some students the ability to second guess a teacher’s structuring of a test. Traditional IQ tests predict school performance with considerable accuracy, but they are only an indifferent predictor of performance in a profession after formal schooling.
In an interesting but controversial study conducted during the 1960’s by Biologist Marion Diamond, of the University of California at Berkeley, two sets of rats were raised in different environments; One set had toys to play with, playmates to romp with and a roomy box that was kept clean and fresh. The second set was put in solitary confinement; all alone in a much smaller cage with no toys to enjoy. After several weeks, Diamond measured the size of each rat’s cerebral cortex, the brain area which is responsible for higher nerve functions. The rats in the sociable, clean and stimulating environment grew brains bigger than the rats with the impoverished surroundings. “Does the enriched environment increase the dimensions of the brain, and does the impoverished environment decrease the dimensions of the brain?”, asked Diamond. “The answer, very clearly, is YES.” Similar results were replicated with cats, monkeys and later with humans. So a stimulating, enriched learning environment is crucial to mental development. If we likewise incorporate the varying student intelligences in our teaching activities, our success as well as our students success, will be markedly improved. That each of us possess all the intelligences, that they can each be developed further, that these multiple intelligences work together in a complex manner, and that there are, in fact, many different ways to be “intelligent” are inclusive in a study by Armstrong. Here briefly, in retrospect, are eight of the major intelligences of Howard Gardener’s theory and their relative traits:
The capacity to use words effectively, either orally or in writing. It is highly developed in story-tellers, orators, politicians, poets, playwrights, editors, language teachers and journalists. Students with a high degree of this intelligence think in words; learn by listening, reading, and verbalizing. They enjoy writing, like books, records, and tapes, and have a good memory for verse, lyrics, or trivia. Getting into discussions, telling jokes and debating are also characteristics of this intelligence. Maya Angelou is strong in this intelligence.
The ability to perceive the world accurately and to perform transformations upon one’s perceptions. This is highly developed in guides, interior designers, architects, artists, fashion designers and inventors. Students with a high degree of spatial intelligence think in images and pictures, like mazes and jigsaw puzzles. They like to draw and design things, and enjoy films, slides, videos, diagrams, maps, charts. The daydreamers and those who may have strong opinions about such things as colors that go together, textures that are appropriate and pleasing and decorating are included in this intelligence. Pablo Picasso was strong in this intelligence.
Musical – Rhythmic Intelligence: The capacity to perceive, discriminate, transform, and express musical forms is most highly developed in musical performers, music aficionados, and music critics. Students with a high degree of musical intelligence learn through rhythm and melody, play a musical instrument, or May need music to study. They notice nonverbal sounds in the environment: the chirp of a cricket, rain on the roof, varying traffic patterns, and usually learn things more easily if sung, tapped out, or whistled. These people love music and rhythmic patterns and can often reproduce a melody or rhythmic pattern after hearing it only once. Various sounds, tones, and rhythms may have a visible effect on them (that is, you can see a change in facial expressions, body movement, or emotional responses). They enjoy singing and listening to a wide variety of music, and are often quite skilled at mimicking sounds, language accents, and others’ speech patterns, and recognizing different musical instruments in a composition. Paul McCartney is strong in this intelligence.
The capacity to use numbers effectively and to reason well. This intelligence is highly developed in mathematicians, tax accountants, statisticians, scientists, computer programmers, and logicians. Students with a high degree of this intelligence often reason things out logically and clearly; look for abstract patterns and relationships; frequently like brain teasers, logical puzzles, and strategy games. They also like to use computers and to classify and categorize. These people think conceptually and abstractly and are able to see patterns and relationships that others often miss. They like to experiment, solve puzzles and other problems, ask cosmic questions and think. They love the challenge of complex problems to solve and always have a logical rationale or argument for what they are doing or thinking. Albert Einstein was strong in this intelligence.
Bodily-Kinesthetic Intelligence: Consists of expertise in using one’s whole body to express ideas and feelings, and facility in using ones hands to produce or transform things. A highly developed intelligence in actors, mimes, athletes, dancers, sculptors, mechanics, and surgeons. Students with a high degree of bodily-kinesthetic intelligence process knowledge through bodily sensations; move, twitch, tap, or fidget while sitting in a chair or at a desk and learn by touching, manipulating, and moving. They typically like role playing and creative movement and generally like physical games of all kinds and demonstrating how to do something. They communicate well through body language and other physical gestures. They can often perform a task only after seeing someone else do it. They find it difficult to sit still for a long time and are easily bored if they are not actively involved in what is going on around them. Michael Jordan is strong in this intelligence.
The ability to perceive and make distinctions in the moods, intentions, motivations, and feelings of other people. This Intelligence can include sensitivity to facial expressions, voice, and gestures, as well as the ability to respond effectively to such cues. Students with a high degree of interpersonal intelligence understand and care about people; like to socialize; learn more easily by relating and cooperating and are good at teaching other students. These people learn through person-to-person interaction. They generally have lots of friends; show a great deal of empathy for other people and understanding of different points of view. They are skilled at drawing others out in a discussion, conflict resolution and mediation when people are in radical
opposition to each other. Mother Teresa and Mahatma Gandhi were strong in this intelligence.
Self-knowledge and the ability to act adaptively on the basis of that knowledge define this group. This is an intelligence which can include having an accurate picture of one’s strengths and limitations, awareness of one’s moods and motivations, and the capacity for self-discipline. Students with a high degree of this intelligence seem to be self-motivating; need their own quiet space; may march to the beat of a different drummer and tend to learn more easily with independent study, self-paced instruction, individualized projects and games.
These people like to work alone and sometimes shy away from others. They are self-reflective and self-aware and thus tend to be in tune with their inner feelings, values, beliefs, and thinking processes. They are frequently bearers of creative wisdom and insight, are highly intuitive, and are inwardly motivated rather than needing external rewards to keep them going. They are often strong-willed, self-confident, and definite, well-thought-out opinions on almost any issue (although they are sometimes off-the-wall). Other people will often come to them for advice and counsel, but others will sometimes view them as distant or weird. Emily Dickinson and Stephen King are examples of this intelligence.
Environmental knowledge and the ability to identify and categorize plants, animals and nature on the basis of that knowledge. The Naturalist Intelligence can include having an accurate picture of the ambient environment, awareness of the interrelationship of natural elements, and the capacity for self-analysis of these elements. It is found most highly developed in archeologists, animal handlers, animal trainers, veterinarians, biologists, racehorse jockeys, zoologists, environmentalists, wilderness guides and naturalists. Students who have a high degree of the naturalist intelligence seem to be nature-oriented, seek to be outdoors or in the elements and learn more easily with nature-related study and environmental projects and activities. They like to collect items from nature, study them, and group them. They tend to be aware of subtleties in appearance, texture, and sounds that those weaker in this intelligence may not grasp. Charles Darwin, Jacques Cousteau, and John James Audubon were strong in this intelligence.
One of the great promises of Multiple Intelligences theory in education is that it will help us to find individual pathways into and out of our students’ minds. Recent advances in educational psychology and research in applied MI theory offer educators a real possibility of developing the potential of all students. Both educators and students should derive from Gardner’s Multiple Intelligence theory that all people are different and learn differently, and that we should respect, value, and nurture that diversity.
Reference website for multiple intelligences links and activities:
Exploring Multiple Intelligences: New Dimensions of Learning
After you have learned some basic chords – in particular, the open chords – and can use them proficiently to play some songs, it's a good time to begin improving and writing songs on your own. Even if you think you do not have enough guitar knowledge to write very complicated songs yet, it's better to start writing your own material towards the beginning of your odyssey into the world of guitar playing so that you develop as a musician and exercise your creative mind.
Starting out, of course, it's best to come up with a song that makes use of just a few chords. Build on what you already know by trying out different combinations of the open chords and experimenting with the different melodies you can produce. Not only will you begin coming up with your own songs, but you're temporarily developing your ability to change chords quickly and are getting accustomed to common chord changes. Do not worry at all about the songs sounding simple. Some of the biggest hits in musical history make use of only three or four chords!
After you have played around with some chord combinations, ask your musical friends for guidance. Show them what you have come up with, and let them play along with you. They will probably be able to give you some points as to the direction into which you may consider taking a song. This will also give you the opportunity to use any knowledge of scales to improvise over a piece of music being played by someone else. When one guitarist is playing chords, the other may want to use the scales he or she knows to place melodies over the chords being played. In essence, you can create your own guitar solos alongside a rhythm guitarist! Take turns soloing and playing rhythm guitar with someone else. You will find yourself creating new melodies in no time.
Another way to tackle improvisation and writing your own music is to begin with some songs you already know and change up the melody. For example, let's say you really like listening to "Wild Thing," and you can play it easily. Try writing another verse to "Wild Thing" using chords that you already know. When you can do this with one song and can play your original melody consistently, start doing it with others.
Once you have gained some experience with these steps, the next milestone toward writing some of your own material is learning how to play barre chords and learning to play them well. Some of your guitar books for beginners will contain information about playing barre chords, and that's a great place to start. Combinations of barre chords and open chords will provide you with more versatility than you ever thought possible, and they can even lead you to experimentation with different styles. This is where may guitarists' tastes start changing as they begin learning to play songs they had never considered learning and collaborating with musicians with whatever they never thought they would play. It may not be what you expected to be playing in the beginning, but the path towards creating original music is an exciting one.
Software like Photoshop, Excel, and Scrivener are great, but they can also be intimidating. Have you ever paid for a program and never use it? Learning something new can be scary. Many programs have help files, but often that’s not enough. Reading something and learning it are two different things. There are three types of learning. They are audio, visual, and hands-on. In this article, I will use Scrivener as my example.
When considering this software, I looked at the Scrivener website and studied the overviews and features section. Impressed enough to make the purchase and read the written tutorial, I was quickly overwhelmed. Note, at this point, I was only looking at buttons and icons.
Next, I went to Facebook and found a group called Scrivener Users. I prefer to hear from those who use the software, as opposed to those trying to sell me something. One advantage was now I could ask questions. Many people kept referring to the book Scrivener for… by Gwen Hernandez, so I purchased that. The book was excellent. Occasionally, I would click on an icon to verify the features listed underneath.
Being a photographer for 40+ years, I relate to all things visual. Therefore, the next logical step was YouTube. Although they had dozens of tutorials most felt like a synopsis, a summary if you will.
I liked being able to see and hear what I was learning. But, I wanted to watch without being dependent on the internet. What I found was a website called udemy.com, which had several outstanding video tutorials. What I had missed to this point, was the hands-on approach. With the program now open, I found the pause button was my new best friend.
The class was reasonably priced and had excellent quality. It was also downloadable. With my slow internet speed, it did take a while (over 5 hours), but each of the 46 videos was downloaded to a folder on my desktop. Now, I could watch, practice, and hear the lessons all at the same time.
If you want to be a writer, you don’t just write when it’s convenient, you write every day. If you want to learn something new you don’t just read a manual and expect to know it all. You use different senses when you want to learn effectively, and you can also use a variety of resources.
Millions of writers write blogs and how-to books with the expectation you will comprehend the subject better. There are thousands of users on Facebook and other social media outlets, waiting to share information they have learned from experience. The key word being experience. You must jump right in and get your hands dirty. YouTube has videos on almost any subject you can imagine. You can find inexpensive courses online. In many cases, you can also find Pod Casts and audio CDs on your favorite subject.
The information age does not limit you to one medium. You’ve heard the phrase show don’t tell. This applies to learning as well as writing. Part of my learning process includes repetition. If I can listen or watch something multiple times, it tends to stay with me better. Some people can read something once and retain everything. I’m not one of those people. The more types of learning methods you employ, the better the odds you will retain the information. When getting your hands dirty doesn’t help and reading is not enough, try using more resources.
Since Desktop Publishing (DTP) came out in the eighties, graphic designers have been utilizing computer technology. This has pushed all graphic designers to become competent with computer hardware at the very least.
What is Desktop Publishing (DTP)? In the 1980s, it was a common term applied to digital publishing systems. These systems were developed to replace large, pre-press, specialist design and compositing systems.
Graphic designers are very heavy on computers whether these are Windows PCs or Apple Macs. Whichever computer a graphic designer chooses to use, he / she will opt for the best computer that he / she can purchase. Graphic designers will rarely choose cheap computer hardware.
Back in the eighties, Macs were the only choice for designing and printing. Almost all design layout and graphics software was developed for Macs only or even if the software could be used in Microsoft Windows PC, it was much more reliable on a Mac. Additionally, at that time, Macs were associated with the different technologies used in the prepress and Windows PC was just not a practical choice. Today, modern versions of Mac OS X and Windows allow graphics designers to use design software either in a Mac or PC – they are no longer forced to choose one over the other.
Many graphic designers are not IT experts and making a decision on which computer to buy can be quite daunting. Of course, if money is not a problem, the decision would simply be to buy the most expensive Apple Mac or Windows PC. But most designers can not afford to do that. In fact, some creative professionals have budgets for second hand equipment only. What really matters to these graphic designers are issues that regular computer users do not even have to think about. These are printer color accuracy, monitor calibration, hard disk speed and external storage devices for gigabytes of data.
Recent studies show that the top 5 computers for graphic design are a mix of Macs and PCs and both laptop and desktop computers fall in this category. But just like any product that a consumer buys, it really is the personal preference of the designer whether he / she will use a desktop computer or a laptop. The important thing is that the user / graphic designer has the appropriate software for the type of computer that he / she wants to purchase.
The Top 5 computers for graphic design are:
Mac Pro Desktop
The Mac line of computers is still broadly preferred by most graphic designers. According to Apple, the latest Mac Pro features the all new quad-core Intel Xeon "Nehalen" processor which makes the job of a graphic designer much easier. Apple states further that the new Mac Pro is up to 1.9 times faster than its predecessor. Each processor has an integrated memory controller that allows the processors to have faster access to stored data in the computer's memory, with memory latency decreed by up to 40 percent. This feature will save a lot of time for designers when they do their work.
MacBook Pro Laptop
The MacBook Pro Laptop comes in 13, 15 and 17 inch sizes. It has high-performance NVDIA graphics and LED backlit display which makes editing graphics easier and clearer. This latest model has battery power that lasts up to 8 hours (on 17-inch version). It is powered by the Intel Core 2 Duo processor.
Dell Studio XPS Desktop
The Dell Studio XPS Desktop features the Intel Core i5 and i7 processors. If you plan on working with intensive video or 3D editing, you can have an upgrade to the 16GB Dual Channel DDR3 SDRAM. But its base 3GB memory will enable you to edit photos, create vector or raster designs with ease. Its high-definition ATI graphics card creates clear, accurate and flawless graphics – just what a graphic designer needs.
Toshiba Qosmio Laptop
The Toshiba Qosimo is an affordable solution to your graphic design needs. It is powered by either the Intel Core i7 or i5 processor making it easier to create flawless graphics. It has a high-end NVIDIA GeForce graphics card, which ensures that you can clearly see every pixel and frame that you edit. It has a 6GB DDR3 1066MHz memory and a 1GB GDDR5 discrete graphics memory.
HP Pavilion Elite Desktop
The HP Pavilion Elite Desktop is an affordable computer. It is powered by either an AMD Athlon or an Intel Core processor that ranges from an X4 630 quad-core (Athlon) to an i7-980X six-core Extreme Edition (Intel). All HP Pavilion Elite Desktop computers come with genuine 64-bit Windows 7 for the latest technology. Memory ranges from 4GB up to 9GB which guarantees smooth and effortless run of the high-end graphics that you use.
Kurt Vonnegut is an American writer-famous for his novel-Slaughter House. He belongs to the generation of modern novelists.
Where We Live
In the narrative ‘where we live’, the writer introduces us to the rustic village called Cod Bay. There is an old library there and a salesman tells the librarian that the Britannica volume is worn out, an old one belonging to the era of 1938. He urges them to purchase a new one.
Harrison Bergson is a writing piece about two people watching television-Hazel and her father Harry. Bergson had been out of prison. The people in the narrative are very emotional and get to talk about the mundane things of life.
Who am I this time?
The author has to take up the role of a theatre director. He discusses with the actors about real life situations which they could adapt in the play. The language that is used is the one of minimalism.
Welcome to the Monkey House
There is a discussion about birth control and ethical suicide as the population of the world is burgeoning. The writ-up is highly exaggerated and too difficult to believe.
Long walk to forever
In this article there is a description of a man and woman who had grown up together. They later meet and the man who is in the army comes to know that the woman is getting married. They have a walk and sort out issues and become reunited as a happy couple.
The Foster Portfolio
In the Foster Portfolio, the protagonist is an avid stock broker and he strikes a deal with a rich buyer named Henry. He is convincing and persuasive and he strikes a ton of a deal.
Miss temptation is a description of a voluptuous lady Susana. There are many lechers who stalk her. The story describes the beauty of the woman in ironic humor.
All the King’s Horses
All the King’s Horses is a story of an imprisoned American colonel and his wife. The enemy’s lieutenant engages in a sadistic conversation. He has got an inflated ego and hatred for the Yankees.
Tom Edison’s Shaggy Dog
Tom Edison’s shaggy dog is a writing that focuses on a Labrador. The dog is sensitive and intelligent and the dog always hangs his wet nose on the owner’s ankles. The narrator thinks that the dog had taught him a trick or two about casting winning lots in the stock market.
In the New Dictionary, the author narrates his fascination about searching for new words in the lexicon. He favors the unabridged one over the abridged one. Dirty words are a treat for the author, a surreal divine forest.
Next door is meat that describes a wall separating the dwellings of two families. There is a meek description of family life.
More Stately Mansions
More Stately mansions are a frigid narrative about the life of an aristocratic people. There is a lot of telling about the dwellings in the mansion, its decorations, and its furniture. One can’t be too impressed with the writing.
The Hyannis Port Story
The Hyannis Port Story is a literature in which the protagonist encounters a Commodore. Daily life is thumbed in vigorous prose.
DP is a moving tale that describes an orphanage run by nuns. The children there come from all nationalities. Many of the children are going through an identity crises. They feel the loss of having been abandoned by their parents.
The Barn House Effect
In the Barn House Effect, the author describes the powers of the mind which he defines as dynamo-psychism. The powers of the mind like clairvoyance, telepathy and exist as a hypothetical conjecture.